I went this week to two strangely contrasting book launches, with a unifying theme.
The first was on Tuesday at "The Society Club" - a rather fascinating bookshop at 12 Ingestre Place in Soho - for "How to Wear White" by Francesca Beauman. She's written an intriguing book aimed at women getting married - peppered with good advice, and also unexpected and bizarre statistics that relate in some way to marriage - for example a table of champagne consumption by bottle for every country in the world for last year. I am extremely fond of Fran and have known her for all of her life, so I never miss any of her book launches (this must be her fourth or fifth). You can buy her book here.
Fran's husband James Bobin directed the very successful Muppets film that came out last year, and he's half way through making the next one. For me perhaps his greater claim to fame is that he co-wrote and directed "Flight of the Conchords". It was fun therefore to find Jemaine Clement at the book launch party.
The Society Club also quite distractingly above its bookcases was having an exhibition of Bob Carlos Clarke pictures - I spent most of the evening making polite conversation whilst being quite distracted by pictures of girls naked save for various bits of PVC clothing. All very jolly.
The second was the next evening at Boodles - another club but not one in which you would ever find Bob Carlos Clarke pictures. This was to launch the publication of a book about the history of Boodles written by David Mann, who died last year, and other contributors. The book is a celebration of the 250th anniversary of the foundation of the club.
Boodles, like so many other London clubs, is entirely comfortable, seductive and appealing on the one hand; and absolutely appalling and retrograde on the other. It's the sort of club in which gentleman have to wear coats and ties; in which women have been grudgingly tolerated and only then in recent times, and occupy a second class role if at all; and in which it helps if you were at the right school, the right university, the right regiment, speak in the right accent, have the right family, etc. Despite precisely meeting all these requirements I can't quite relate to these places. The charming wife of the president of the club told me that she thought I probably wasn't old enough yet (I am past my first half century!) and that she thought the club was an extremely useful place because it got her husband out of the house and meant she did not have to cook him dinner.
All of that said, I did meet some very urbane and open minded people at the launch party, and enjoyed some conversations about music, and the future of Europe.
I then drifted into conversation with quite a large group of men who were describing to me very animatedly how wonderful they thought "Nigel" was, and what fun he had been at dinner the night before. It was only when one of them began telling me how there were enough immigrants in the country now, and perhaps we should even encourage some of them to leave, that I realised "Nigel" was of course Mr. Farage of UKIP. As frequently happens they made the categorical error of believing that because I looked and spoke like them, I might share their reprehensible views. The conversation went from bad to worse at that point, and so with my prejudices about the moral bankruptcy that inhabits the rotten core of these institutions entirely reinforced, I left.
The unifying theme, lest you should wonder, is family. Fran is my cousin and David was my uncle.
Richard in London
An enthusiastic amateur's journey round the world of art & music
Friday, 22 March 2013
Thursday, 21 March 2013
In Berlin: 2 - Thilo Heinzmann
The composer Jóhann Jóhannsson and I paid a visit to the studio of Thilo Heinzmann, the Berlin based artist. As we arrived Thilo was listening to Jóhann's "Englaborn". If you don't know it I strongly recommend it.
Thilo and Jóhann are collaborating on a project, one of the end points of which will be a composition by Jóhann called "12 conversations with Thilo Heinzmann". This meeting at the studio was the 4th conversation, in which I was very pleased to be able to participate.
Jóhann is recently back from a trip to the South Pole - and we noted that in a funny parallel some of Thilo's polystyrene pictures have an iceberg like quality. Thilo has been in Paris looking at impressionist paintings, and I think the result has been to inject a wider colour palette into some of his paintings.
The project has 8 more conversations to go, and I will blog about it again later in the year.
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| Thilo holding one of Jóhann Jóhannsson's records |
Jóhann is recently back from a trip to the South Pole - and we noted that in a funny parallel some of Thilo's polystyrene pictures have an iceberg like quality. Thilo has been in Paris looking at impressionist paintings, and I think the result has been to inject a wider colour palette into some of his paintings.
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| Jóhann and Thilo in front of a post-Paris trip painting |
In Berlin: 1 - Nachtmusik barock
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| RadialSystem V from the river during the day |
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| Sitting up from our yoga mats to clap at the end of the concert |
The musicians were Ensemble Hippocampus (violin, viola da Gamba, and harpsichord) and they played a variety of music by Bach and composers who had influenced him including Froberger, Krieger, Schenck, and Biber. The violinist, Kerstin Linder-Dewan, spoke before the concert about Bach and his times. Fortunately her German was simple enough for me mostly to understand.
My favourite part of the concert was the Chaconne for Gamba and Harpsichord by Schenck during which I completely drifted off into a trance like state.
Getting back to Charlottenburg in the snow after the concert woke me up again quite quickly.
Thursday, 31 January 2013
My heart bleeds for Newbury
My heart bleeds for Newbury; for its has been eviscerated. Twenty years since last I visited this market town some 60 miles from London. No doubt naive of me to be surprised, but it's like another country if you live as I do in central London. I can't imagine what sort of economic policy could fix this in less than a generation. We need to change our society.
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| Wednesday lunchtime, Newbury |
Wednesday, 28 November 2012
In Amsterdam: 4 – Pinar & Viola
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| Visiting the Pinar & Viola design studio |
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| Scandal Aqua - Towel from the Ecstatic Surface Collection 2013 |
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| If you meet them without their shoes on I imagine they will seem a bit shorter. |
I strongly recommend looking at their website and various social media manifestations. To the untutored eye it will all look a bit chaotic, but if you persist for a little bit you will realise you have become infected by some new ideas that might make you start seeing the world quite differently. Which is rather exciting given how rarely that happens.
I am obviously not the only person to notice this, as they are now guest blogging for the refreshed Dazed Digital. Check out their blog on Turkey's anti-evolutionist showgirls. Bizarre.
Here's the Pinar & Viola website and blog
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| Flowers in the studio |
Tuesday, 27 November 2012
In Amsterdam: 3 – Rembrandthuis Museum
Overheard in the Rembrandthuis Museum, where I had dropped in to see once again the wonderful Rembrandt etchings:
" more of these stupid etchings….I thought there would be more paintings"
" they are just like pornography"
I also wanted a quick look at the various objects Rembrandt had collected to use for inspiration – something I have become interested in more since the publication of Érik Desmazières' recent book "A cabinet of rarities", and since visiting Thilo Heinzmann's studio in Berlin, overflowing with unusual objects very neatly arranged. Desmazières also created some etchings specifically for the Museum in 2004 - views of Amsterdam - here
" more of these stupid etchings….I thought there would be more paintings"
" they are just like pornography"
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| Three crosses - in its first state (1653) |
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| Three crosses - reworked second state, some years later |
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| Objects in Rembrandt's studio |
In Amsterdam: 2 - Ives Ensemble
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| De Duif before the concert |
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| Piano all ready for John |
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| John and Josje after the performance |
I've known John for a while - he's a great fan of Laurence Crane through whom I met him. The Ives Ensemble, which John founded, last month played my 2011 Crane commission (Quintet for piano and strings) at a concert in Utrecht which was recorded for Dutch radio. Public funding of the arts in the Netherlands is becoming more and more constrained, to the point where even groups like the Ives Ensemble - one of Europe's leading contemporary music performers - are really suffering, and likely to have to curtail their activities to a large extent. The Dutch government has simply stopped a lot of its art funding, telling artists and musicians to find private sector support instead. In a country with high tax rates this just isn't realistic.
It was fascinating therefore recently in London to meet the new Secretary of State for Culture, Maria Miller, who told me that in real terms funding for the Arts in the UK have only been cut by 1% over the course of the last 2 years.
There's two ways of looking at this:
- given the volume of complaints from the UK arts establishment about arts funding, one could wonder at the lack of awareness about our relative good fortune compared to some other European countries (my initial view)
- the government is fiddling the books, and counting the lottery as arts funding; but the restrictions on lottery funding (that mostly it is for programme rather than capital costs) and the way it is allocated mean it is a poor replacement for central government funding of core costs of arts institutions (a view expressed to me cogently by the chief executive of one of London's orchestras)
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| Very fine graphics on the Ives Ensemble's CD covers! |
Link to Ives Ensemble here
Link to an erudite review of the CD of "for John Cage" here
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